Abramov, Aleksandr, Tantsuiushchaia degeneratsiia,“Teatr i Muzyka”, n. 10, 1922: 174-5.
Abramov, Aleksandr, Erotika ili pornografiia? “Zrelishcha”, n. 41, 1923: 4-5.
[Anon.] Reorganizatsiia i zakrytie khoreo-shkol v Moskve,“Novaia Rampa”, no 12, 1924: 6-7.
Avdeev, V.I., Novyi svobodnyi tvorcheskii tanets, “Iskusstvo”, n. 5-6, 1929: 131-4.
[B.] Kakoi tanets nuzhen rabochim? “Zrelishcha”, n. 42, 1923: 11.
Brik, Osip, Sud’ba tantsa, “Zrelishcha”, n. 23, 1923: 10-11.
Brandenburg, Hans, Der Moderne Tanz, München, Georg Müller, 1921.
Bourdieu, Pierre, “How Can One Be a Sports Fan?” Cultural Studies: A Reader. Ed. S. During, London and New York: Routledge, 1993: 339-60.
Chernetskaya, Inna, Osnovnye Elementy Iskusstva Tantsa, Moscow, Dom Narodnogo Tvorchestva 1937.
Dieneš, Gideon, A Mozdulatművészet Története: A History of the Art of Movement. Budapest, Orkesztika Alapítvány 2005.
Daly, Ann, Done into Dance, Isadora Duncan in America, Bloomington, Indiana U.P. 1995.
Dmitriev, Yury, “Muzik-kholly”, Russkaya sovetskaya Estrada 1930-1945, Ed. E.D. Uvarova, Moscow, Iskusstvo 1977: 15-54.
Gert, Valeska, Je suis une sorcière. Kaléidoscope d’une vie dansée, Traduit de l'allemand par Philippe Ivernel, Bruxelles: Éditions Complexe 2004.
Grant, Susan, Physical Culture and Sport in Soviet Society: Propaganda, Acculturation, and Transformation in the 1920s and 1930s, New York, Routledge 2013.
Griftsov, Boris, Psikhologiia Pisatelia, Moscow, Khudozhestennaya literatura 1988.
Johnson, Lorin, Early Russian modern dance: Lev Lukin and the Motobio-skul’ptura, Experiment/Эксперимент: A Journal of Russian Culture, vol. 10, 2004: 11-27.
Kats, Andrei (ed.) Vospominaniya schastlivogo cheloveka. Moscow, Glavarkhiv Moskvy 2007.
Khmel’nitsky, Yury, Iz Zapisok Tairovskogo Aktera, Moscow, GITIS 2004.
Koonen, Alisa. Stranitsy Zhizni, Moscow, Kukushka 2003.
Kropotova, К.А.“Аleksandr Rumnev. Esteticheskie idealy”, Iskusstvo Dvizheniia. Istoriia i Sovremennost’, Ed. Т.Б. Кlim, Moscow, State Theatre Museum 2002: 77-84.
Kulagina, Inessa, Kto ona – Ella rabenek?, “Balet”, n. 108, 2000: 52-3.
Kulagina, O.S. (ed.), Dvigat’sia i Dumat’, Moscow, no publ. 2000.
Kurov, Nikolai, Vecher antichnykh tantsev,“Teatr”, n. 934, 1911: 6.
Kurth, Peter, Isadora Duncan,transl. S. Losev, Moscow, Eksmo 2007.
Larionov, Aleksandr, “Khudozhestvennoe dvizhenie”, Teoriia i Praktika Fizkul’tury, Moscow, Fizkul’tizdat 1925: 72-82.
Li [А.А. Cherepnin]. Ekstrennyi vecher Goleizovskogo, “Zrelishcha”, n. 74, 1924: 5-6.
Markov, Pavel, Kniga Vospominanii, Moscow, Iskusstvo 1983.
Mayak, Ida, “Vospominaniia docheri”, Iskusstvo Dvizheniia, Ed. T.B. Klim, Moscow, State Theatre Museum 2002: 131-47.
Manzano, Jean-Philippe (ed.), Isadora Duncan 1827-1927: Une sculpture vivante. Paris: Musée Bourdelle 2010.
Misler, Nicoletta, V Nachale Bylo Telo: Ritmoplasticheskie Eksperimenty Nachala XX Veka, Moscow : Klassika-XXI vek 2011.
Misler, Nicoletta, Choreological Laboratory, Experiment/Эксперимент. A Journal of Russian Culture, vol. 2, 1996: 169-200.
Rossikhina, V.P., “Nina Aleksandrova i ritmika Dalcroza”, Iz Proshlogo Sovetskoi Muzykal’noi Kul’tury, vol. 3, Moscow, Muzyka 1982.
Ruggiero, Elisabetta. Alexander Rumnev and the new dance, Experiment/Эксперимент: A Journal of Russian Culture, vol. 2, 1996: 221-8.
Rumnev, Aleksandr, Before me moves the past, Experiment/Эксперимент: A Journal of Russian Culture, vol. 2, 1996: 229-40.
Sabaneev, Leonid, Vospominaniia o Scriabine, Moscow, Klassika-XXI 2003.
Saradze, Georgy, Lukin, “Zrelishcha”, n. 20, 1923: 17.
Sheremet’evskaya, Natalya, Tanets na Estrade. Moscow: Odin iz luchshikh 2006.
Sidorov, Aleksei, Sovremennyi Tanets. Moscow, Pervina1922.
Sidorov, Aleksei, Novyi tanets, “Krasnaia Niva”, n. 52, 1923: 19-20.
Sirotkina, Irina, Dance-plyaska in Russia of the Silver Age, Dance Research. The Journal of the Society for Dance Research, vol. XXVIII, n. 2, 2010: 135-53.
Sirotkina, Irina, Svobodnoe Dvizhenie i Plasticheskii Tanets v Rossii,Moscow, Novoe Literaturnoe Obozrenie 2011; 2nd ed. 2012.
Sollertinsky, Ivan,“Muzykal’nyi teatr na poroge Oktiabra”, Istoriia Sovetskogo Teatra, Ed. A. Gvozdev, vol. I, Leningrad, Khudozhestennaya literatura 1933: 290-356.
Sollertinsky, Ivan, Stat’i o Balete, Leningrad: Muzyka 1973.
Surits, Elizaveta, Studios of plastic dance, Experiment/Эксперимент: A Journal of Russian Culture, vol. 2, 1996: 143-67.
Stüdemann, Natalia, Dionysos in Sparta: Isadora Duncan in Russland. Eine Geschichte von Tanz und Körper. Berlin: Transcript-Verlag 2008.
Tels, Ellen, Le système du geste selon François Delsarte, Archives Internationales de la Danse, vol. 5, 1935: 6-7.
Toepfer, Karl Eric, Empire of Ecstasy: Nudity and Movement in German Body Culture, 1910-1935, Berkeley, University of California Press 1997.
Vaccarino, Elisa, Enrico Prampolini and avant-guarde dance: The luminous stage of Teatro della Pantomima Futurista, Prague-Paris-Italy, Experiment/Эксперимент: A Journal of Russian Culture, vol. 10, 2004: 171-86.
Voskresenskaia, Natalia, Lev Lukin and the Moscow Free Ballet, Experiment/Эксперимент: A Journal of Russian Culture, vol. 2, 1996: 201-20.